Anicka yi biography married

Anicka Yi often collaborates with biologists, chemists, engineers, and other specialists. One scent, Radical Hopelessness , was inspired by Hatshepsut, the second female pharaoh of Egypt. It was a show where you went to forget. The show opens with a new fragrance, for which she asked Fillion to imagine dark primordial soup, biologized machines in the deep, a bioluminescent tree blooming underwater.

It brings notes of citrus and algae, accents of gasoline and petrichor. It smells like the beginning of the world. To make it, all fifteen other bodies of work included in the exhibition — among which are contact lens aquariums, tempura-fried flowers, kombucha-skin sculptures, quarantine tents, kelp lanterns containing animatronic moths, neural-network paintings trained on her archive, hanging radiolaria machine-sculptures, bioluminescent bacteria sculptures, biofouled sculptures, the new fragrance itself — have been transformed into generative characters.

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These translucent, imaginary protozoan artwork-beings possess different physical qualities, such as size, shape, luminescence, and material, as well as eleven distinct behavioral, sensory, emotional, and evolutionary attributes. As the video contains versions of all the works in the survey, it is also a survey itself. It is a meditative world as retrospective.

Artificial intelligences and machines, Yi believes, are also part of our evolution as humans. When they sensed the warmth of visitors below, they often came down to greet them, hovering low over their heads like robotic angels. She hopes biologized machines like these might someday live among us. Her new beings, however, are not designed for the natural world but for game-engine space, for forests of coral with the light of the virtual moon.

But lately she has been going further, like Orpheus with his lyre descending into the underworld, beyond life and into the realms that come after. I had started thinking about my own mortality.